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Mythology in 19th Century Decorative Arts
Against the white-painted wainscoting stood eight mahogany chairs. An old piano supported, beneath a barometer, a pyramidal pile of boxes and cartons. Two tapestry armchairs flanked
The French clock
From the late 18th century onwards, artists rebelled against classical rigidity and the cult of ideal beauty, expressing their preference for more realistic subjects, closer to their own time