LARGE BIZEN POTTERY BASIN MADE BY MORI TAIGA

This artwork by master potter Mori Taïga showcases his mastery of the material and the art of fire. One could imagine it as a libation cup to celebrate a deity, or more prosaically, as a basin for cooling off on a summer night. It is also an invitation to touch, as the artist explained: each touch of our hands on the pottery will enhance its beauty, making it increasingly pleasing to the touch and allowing us to witness the growing charm of this piece.

Mori Taiga was born in 1974 in Inbe, Bizen commune, and took over the kiln (Fuurai) from his grandfather, himself from a long family tradition of potters in Bizen. Taiga has exhibited his work around the world and participated in the construction of an Anagama kiln in France at the La Tuilerie Ecomuseum in Pouligny.

Bizen pottery in Japan, produced from the Kamakura period (1185-1338) onward, is characterized by its reddish-brown color and a coating of ash reminiscent of goma, or sesame seeds. Later, it became highly prized for its superb quality clay, unassuming appearance, durability, and ability to preserve water quality. During the Momoyama period (1573-1600), a gigantic kiln measuring 50 meters long by 5 meters wide was built in Bizen, and it was during this time that the masterpieces of tea ceremony pottery were created. Bizen pottery pieces are placed unglazed in a pine-wood kiln for 8 to 20 days. When the temperature reaches 1250°C, pine ash settles on the pieces, coating them with a natural glaze in varying shades on each piece. Those fired under optimal conditions have a robust, heavy appearance with a natural texture and a restrained elegance. Bizen pottery is said to be modest and understated, yet full of refinement, reflecting the spirit of Japan. The town of Bizen is located in Okayama Prefecture, and the clay gathered from the town's rice paddies is of excellent quality, allowing potters to create exceptional works.

Circa: 2023

Condition report: Excellent condition